book. The book. Il libro.
My suggestion for the evening reading.
La mia proposta.
Udobna fotelja, topla čokolada i Puhač stakla s Murana.
"The Glassblower of Murano" is a wonderful combination of mystery, historical intrigue and love, written by an English/Venetian author. It tells a story of passion, genius and betrayal linking the present and the past. Nora Manin decides to leave her fractured life in London to start again in Venice - and there begins to unravel the story of her ancestor, Corradino Manin, the greatest artist of glass that the famous island of Murano ever produced.
Firstly I've never been to Venice so I bring to this book nothing beyond the assurance from everyone else that it is a magical place and really we should go one day and preferably on this . Leonora Manin, a direct descendant of the great 17th century Venetian glass artist Corradino Manin
heads to Venice to follow in Corradino's footsteps and ply her trade as a glassblower on the Isle of
Murano. There is of course treachery afoot and the past is inevitably going to reveal its darkest
secrets as Leonora becomes the advertising gift that the company have been looking for.
If a Manin can't turn around the ailing fortunes of the business then no one can.Interestingly given
the current financial nightmare dominating the news right now,the book more than dips a toe,
albeit unwittingly,
in the real world Now please don't think I'm being derogatory or judgemental when I say this isn't high end literary fiction, more one of those books you'd read on holiday or when some relief from
the rigours of serious reading call. After a bout of ultra-serious reading of late The Glassblower of
Murano was the perfect antidote. The plot weaves back and forth from 17th century Venice to the
present day as old feuds surface and Leonora's life starts to become deeply embroiled in that of
her elusive ancestor's. Having perfected the art of mirror-making it was obvious Corradino might
be head-hunted (sorry) by the very person who needed a big batch order fulfilled and the unravelling
of quite how Corradino becomes Versailles mirror-maker extraordinaire to Louis XIV of France
kept me involved to the final page. Don't worry, I've given nothing away, this much is on the back cover blurb.Twists and turns abound and I was also intrigued by Marina Fiorato's technical detail here.
Making a flawless mirror took a lot of puff and one heck of a great big parison which you've then
got to put on your pontello, carefully slice your bubble and watch what happens. Plenty can go
wrong at the next stage too which is the mercury dip and of course no COSHH regulations in 1681. It was all fascinating enough to make me want to have a go...could I do it in the Aga top oven?
So if you fancy a trip to Venice from your armchair with a headless woman for company it's easy,
names in comments because there are three prize draw copies of The Glassblower of Murano
ready and waiting for Beautiful Books to send to the lucky winners, and in the meantime I'd love
Venecija, 1681.Venecijanska zrcala skuplja of gold, and the art of blowing glass najljubomornije a guarded secret of the Republic. The island of Murano because the home and prison glassblower, a notorious Council of Ten has been closely monitoring their every move. But to protect his secret daughter, the most skilled among them, the master Corradino Manin, puts everything at risk by selling their knowledge and soul of the French Sun King, Louis XIV ... centuries later, leaving London and the ruins of his failed marriage, a passionate and talented Nora Manin, a girl in flowing blood Corradino, determined that the city of his ancestors puhačice learn the craft of glass. Looking for answers, those of love and those on the glass, Nora will soon meet with the demons of which fled Corradino, a timeless rivalry will come to life in ancient workshops is to bring in opasnost.U surreal beauty of the city, in one love and one heart krvavocrvenom glass, Norina fate is inextricably intertwined with the will Corradinovom, and all their secrets will be given to light .
Murano came to fame as a center of glass production, after
Venice year 1291, decided to move all the workshops for the manufacture of glass, then this remote island in the lagoon
, because until then erupted frequently unwanted fires in the then mostly wooden Venice.
Soon the guild glass reputation most respected citizens on the island. From
14th century, from Murano glass house - could carry a sword (like royalty), they had immunity from criminal prosecution like royalty, and their daughters could be married in the most noble houses in Venice. On the other hand, they also won some sort of punishment - they were not allowed to leave the Murano under any circumstances. In this way
Venetian republic wanted to protect the secret manufacture of glass, which at that time was extremely expensive and prized commodity. Yet over time, many craft from Murano, the cost of loss of life and property went from Murano in the cities of Long
Italy, and eventually in other countries such as England
and
Netherlands.
production in Murano glass from Murano
Glazier still held a monopoly on the production of quality glass products, even centuries, because it is only known in Murano and produce crystal glass
, like many other glazing products: enameled glass ( smalto), glass with threads of gold (aventurine), multicolored glass (millefiori), ground glass (Latte), and a number of imitation gemstones made of glass.
Even today in Murano produce the same traditional methods, many objects made of glass, from the subject of contemporary art and design to jewelry, chandeliers and figurines for every taste.
Some of muranskih manufactories are the world's most famous producers of glass, they are: Venini, Barovier & Toso and Seguso.
oldest manufactories for the production of glass in Murano, which is working today and Pauly & C. - Compagnia Venezia Murano, founded in 1866
year
A 9 minute water boat ride from the Fondamenta Nuove, north of Venice , is located on the island of Murano. This is where everyday life revolves around the glass making industry. Water plays a large role in life on Murano probably more so than in Venice and they have their own grand canal. The bridge is only 'Ponte Longo', made of iron and built in 1866th
The oldest preserved evidence for the existence of the glass blower dates back to 982 and is found in Venice's archives. Documented evidence shows that in 1279, it was confined to the ‘rio dei Vetrai' where even today the oldest glass factories are located. The fortune of Murano came in 1291 when the glass makers were invited to leave Venice and move all the furnaces onto the island of Murano. This is a means of security to avoid the hazard of fire which would be very dangerous for Venice. Therefore the island became the most important centre for the glass industry in all of Europe up until the XVII century.
With the monopoly of production, Venice has been the protagonist in the history of glass pearls (conterie) since around 1200 to 1950. They are pearls obtained when working over a flame and were used as money for exchange with natives of colonial states. Glass workers were prohibited from emigrating from Venice by the threat of confiscation of property. The Republic didn't want competition arising from rival schools. Despite this, some teachers managed to emigrate illegally to Florence, London and to the rest of Europe.
The fall of the Serenissima republic, was accompanied by the decline of the craft of glasswork. The rebirth was encouraged in the mid 1800's by the Barovier, Toso, Seguso, Salviati families. The production is still today a handicraft and the majority of businesses have from 2-5 artisans even though some have 50-60 employees. The method of manufacture is the same, there are no machines and what counts is the ability as well as how much breath the artisan possesses. Every company had their own formula which up until the 1800's was secret, however with the advances in chemistry and research institutions these were no longer unknown. In the past the glass blower would show his expertise with intricate objects, however today they are no longer so complicated because articles would be too expensive.
It usually takes 3-4 people to finish an object, but in a large scale company it can be as many as 18. Artisans create objects of every colour, but only experts know how to obtain variants of red and yellow, the most difficult colours . Articles range from vases to unique pieces, statues to animals. The variety of glass in Murano is vast and can be quite expensive. Pieces signed by Barovier & Toso, Venini, and Carlo Moretti are a guarantee of international fame. There are also over 100 small businesses who work glass by candlelight and therefore don't require the furnace. They produce small pieces and souvenirs.